Wednesday, January 23, 2013

This has Nothing to do with Your Poker Face


Spoon
Ga Ga Ga Ga Ga
2007, Merge/Anti-
produced by Mike McCarthy, Jon Brion

Britt Daniel - guitar, vocals
Jim Eno - drums
Rob Pope - bass
Eric Harvey - piano, keyboards

singles - 
  • The Underdog/ It took a Rumor to Make me Wonder, Now I'm Afraid I'm Going Under
  • Don't You Evah'/ All I Got is Me
Some people may remember this band from the early '90s when it was a pseudo-punk, garage rock band that shared the same sound as bands like Pavement and the Pixies.  Eventually, their sound changed into something more melodic and listenable, but still retaining the interesting experimental rhythms that were all the rage in the 90's but now are more refined.  This is also the first time the band cracked the top 40 on the Billboard 200, debuting at number 10.  I like this album better than their others, The Underdog is a great pop song, complete with a horn section and clever rhythms.  I do love horns in rock songs!

Ghost of You is the only song I dislike, and my issue is more with how it was placed on the album than the song itself.  Placing a soft, miserable little song like that second on the album among rocking more pop-heavy tracks breaks up the flow a little bit.  Whoever is responsible for that should be shot.

clear red vinyl!

Wednesday, January 16, 2013

What's in a Name Change?

Recently, the new owner of the New Orleans Hornets had decided he wanted to change the name of his franchise to something more New Orleansy.  This, of course, makes sense.  A sports team ought to identify itself with the city it resides in, and the fans it wants to connect with.  I'm sure there are hornets and other wasp-like insects in the bayou, but they aren't what anyone would think of when trying to picture the city of New Orleans.

If I was going to change the name of the New Orleans franchise, and the Utah Jazz was too stingy to part with the name that ought to be in the Big Easy, I'd have a few good ideas.  The Brass was a name that was thrown around as a possibility.  Not only does it allude to the horn section of the jazz bands that make the city famous, but allows the team to take advantage of brass balls jokes.  Also on the short list are the Bull Sharks (not bad, but hybrid names like Mud Hens, Jethawks, Mighty Ducks, or River Monsters just make me think of minor league teams and their cartoon logos), Rougarou (it's a cajun word for werewolf...), Swamp Dogs (also a good name for a minor league baseball team... and also makes me think of body odor, for some reason).

The favorite name, and the one most likely to be chosen (nothing "official" has been submitted yet) is the Pelicans.  Speaking of minor league baseball, the Pelicans is also the name of a long defunct New Orleans minor league franchise.  Apparently the brown pelican is the Louisiana state bird.  I'm sure Louisianans all know this and are very proud.  I don't know the state bird of the state I live in, so...  I'm assuming people in Louisiana who like sports don't know or care either.

I was pretty doubtful that this name would be able to capture what the new ownership is hoping for, a new stronger connection to the community of New Orleans.  Like many other commentators and reporters in the sports community, my first thought was choosing the pelican as a mascot for a professional sports team in one of the biggest leagues in the world is a huge laughable mistake.

Then I saw these fan generated logos and designs and decided this may actually work out.  One can only hope the official design team takes some pointers from these, and also from Jay-Z 's successful redesign of the Nets franchise logo and colors.

This circular design makes me think of university.  It also makes the bird far less goofy.  The color scheme doesn't match up, however.  There are rumors that red/navy/gold are proposed instead of the blue/purple used now.  Also, mardi gras colors (yellow/green/purple) are used by the Hornets now as alternate colors.  


The XFL called.  They say this one is awesome.  It is a pretty badass design, but seems more suited for lacrosse or roller derby than the NBA.  Also, I'm not sure how well a jesters hat will go over if you're trying to be taken seriously.  


Simplicity.  This reminds me of the new Nets look.  Not overly complicated, but still clever, incorporating the mascot, and the importance of music to the city.  It does look like a logo for an automobile company though.  

This one also makes the pelican seem less goofy.  Incorporating the NOLA logo used as an alternate now is a good idea to bridge the new with the old identities.  The top hat is pretty cool too.  Once again, the color scheme would change...


This one seems more appropriate for the minor leagues.  The bird looks smushed.  However, I do like circular designs.  


Note how it incorporates the fleur di lis design seen in the old Hornets patch.  the color scheme is able to be changed easily.  It's simple, easily recognizable, and not silly.  


I've used the term minor league a lot in this post.  This one fits into that category too.  The floating bird head looks stupid.  I'm betting the real logo, when revealed, will look more like this than any of the others.  Because I'm a pessimist.  

Monday, January 14, 2013

1, 2, 3, 4, 5 Against One

Pearl Jam
Ten
1991, Epic
produced by Rick Parashar

Eddie Vedder - vocals
Mike McCready - lead guitar
Stone Grossard - guitar
Jeff Ament - bass
Dave Krusen - drums

singles-
  • Alive
  • Even Flow
  • Jeremy
  • Oceans
What can you say about this album that hasn't been said? This particular band received poor reviews, and criticism. David Browne from Entertainment Weekly wrote "you've heard it all before on records by [...] Soundgarden, Alice in Chains, and Mother Love Bone". Even Kurt Cobain denounced Pearl Jam as sell outs, which I find odd, as a month later, Nevermind would be released and blow up.

As it turns out, Pearl Jam is the only group from that scene to be continuously touring and releasing music since their inception. That can't be said of any of the other bands mentioned so far in this post. The 20 plus career of this band starts with this strong debut.


Pearl Jam
Versus
1993, Epic
produced by Brendan O'Brien

Eddie Vedder - vocals, guitar
Jeff Ament - bass
Stone Grossard - guitar
Mike McCready - guitar
Dave Abbruzzese - drums

singles-
  • Go
  • Daughter
  • Animal
  • Dissident
Apparently there is this real thing called the Sophmore Slump. This phenomenon appears after a band has such a strong debut, they are unable to meet expectations on their follow-up effort. This follow-up album defies that theory. Not only did the single Animal lend some lyrics to the title of this post, but Daughter spent 8 weeks at number one on the Mainstream Rock chart, and was nominated for best rock performance at the 1995 Grammys. The album received a nomination for Best Rock Album.

Once again David Browne slammed the album, stating that he gave it points for not being "a carbon copy of Ten". The album incorporates sounds not heard in Ten, including some funky beats and acoustic instruments. There is also a transfer of writing credits from Grossard to Vedder, which would culminate in Ed becoming a rock icon. This second effort could possibly be better than their debut. And if this is where the band stopped, they would still be considered legendary and an integral part of the '90s alternative rock renaissance. However, they didn't stop here, which makes their career far more interesting.

I am aware I chose to use the album covers used for the vinyl pressings. I did it on purpose.  

Wednesday, January 9, 2013

Poker Games can be Dangerous

This is the latest installation of cool old folk songs.  Hit the label "Folk" to see the rest on this blog.

Like with all good folk tunes, the song changes and evolves as it is sung and resung, sometimes differing greatly from the very first recordings to the most recent renditions.  The particular piece for this post is not really any one specific song, but rather songs about a specific event with specific characters.  



Stagger Lee Shelton was a famous St. Louis pimp in the late 1890s, of the group of pimps known at the time as the Macks.  The legendary story is as follows, told by many musicians.  Stagger Lee gets into an argument with Billy Lyons (or Billy DeLyon, or Billy Delisle), during a card game.  Somehow, Billy Lyon takes Stagger Lee's lucky hat, usually by winning at cards.  Stagger Lee then shoots him.  In the first versions of the song, there is no card game mentioned, which makes the crime appear more cold-blooded and impulsive.  

In the various versions of the song, Stagger Lee is often made out to be a trickster, a shyster, a wicked man, and even the devil himself.  Where as Billy Lyons is often a naive sucker unaware of the danger that Stagger Lee represents.  

The Grateful Dead version of the song is about Billy DeLyon's wife Deliliah and how she gets her revenge by shooting Stagger Lee in the balls.  This is actually the first version of the song I ever heard, and didn't realize Stagger Lee was part of the American Folk mythos until I heard Taj Mahal's version.  

Notable songs about Stagger Lee and Billy Lyons include: 
  • Stack O Lee Blues - Herb Wiedoeft
  • Stagolee - Mississippi John Hurt
  • Stagger Lee - Tommy Roe
  • Wrong 'em Boyo - The Clash
  • Stack Shot Billy - The Black Keys
Other artists to have either covered or written songs about these characters include Woody Guthrie, Professor Longhair, Bob Dylan, David Bromberg, Taj Mahal, Beck, James Brown, Duke Ellington, Pete Seeger, Doc Watson, and Pat Boone.  

Lyrics acoording to Taj Mahal, Tommy Roe, and Nick Cave

I was standing on the corner
When I heard my bulldog bark
He was barking at the two men
Who were gambling in the dark

It was Stagger Lee and Billy
Two men who gambled late
Stagger Lee threw a seven
Billy swore, that he threw eight
Stagger Lee told `Billy,
I can`t let you go with that
You have won all my money
And my brand new stetson hat`

Stagger Lee went home
And he got his 44
Said, `I`m going to the bar room
Just to pay that debt that I owe`

Stagger Lee went to the bar room
And he stood across the bar room floor
Said, `now, nobody move`
And he pulled his 44

`Stagger Lee`, cried Billy
`Oh, please don`t take my life
I got three little children
And a very sickly wife`

Stagger Lee shot Billy
Boy, he shot that poor boy so bad
`Till the bullet came thru Billy
And it broke the bartender`s glass

Oh, Stagger Lee

Sunday, January 6, 2013

Penises are Funny

I like animated short films.  They are a lot like short stories in literature.  It doesn't take much to be fully invested, and they don't take very much time.  In order to write a good short story, or produce a good short film, the writing has to be good, and the characters, plot, and climax can not take very long to explain or arrive at.  I found this film about a month ago.


Wanted Melody from Wanted Melody on Vimeo.

It is from a team of french animators.  Their webpage for their campaign is here.  The project is funded completely by donation, and the plan is to produce a few smaller shorts to pitch to studios in order to fund a series of shorts.

The potential is staggering.  The subject has no facial features, and so the animation and movement of the subject has to convey emotion.  Also, the fact that there is no dialogue allows for the animation and the music to set mood and tell stories.  The animation team could have chosen any inanimate object, however they chose the "willie".  The penis is timeless.  It is also always funny.  To sum up, the creators explain it this way on their website:

Why Willies?
  • Universality
  • A willy is a common and symbolic object which concern the whole world, every continent, every culture, 50% of the people got one !
  • A whole symbol !
  • Since the dawn of time, phallic representations are in every culture, particularly in arts, as a virility, fertility and pleasure symbol.
  • Breaking down prejudice
  • Succeeding in telling a story with willies as characters, is a challenge that can surprise the spectator, simply telling human, universal stories, without pretention, funny, surprising, and delicate at the same time. Willies can be proud of their symmbolic, and its rudeness only depends on the look that they carry.

    of course this whole thing made me instantly remember this scene from Superbad...