|remember when this was cool?|
I think the problems with the storytelling for these films has been documented enough online and perhaps the most comically and accurately by this guy right here. His review is in three parts for each of the three films. This guy touches on each of the big problems with these movies. First and foremost is the lack of character development.
There are an awful lot of throw-away characters. Because they are either in the original movies prominently, or at the very least alluded to, Anakin Skywalker, Obi Wan Kenobi, Padme, Yoda and Palpatine are necessary for these prequel films. Just about every other character is not. Just because a character shows up in the original films doesn't mean they have to be in the prequels. So, these films would have survived without R2D2, C3PO, Boba Fett, and Chewbacca. Bringing in all these other characters from the other films causes questions of continuity, like why didn't Kenobi or Darth Vader recognize the droids decades later, especially since Vader created C3PO? Unnecessary things like this ruined the films.
It seems that Lucas has left character development and depth to the legion of fanfict writers that publish a ridiculous amount of pulp trash about this universe. I would think that the films, the basis for everything these books are about would be the best place for developing characters. Quigon Jinn and Darth Maul seem to be important characters and they are gone before being developed. This makes them pretty unnecessary.
|unnecessary. grow up.|
Also, they never do explain this midichlorian stuff very well, and should have left it out. Part of the coolness of Jedi was the mystery surrounding the Force. Explaining it by creating microbial force-creating organisms takes away from that cool factor. Biology lessons in a sci-fi action film can be a turn-off.
So, right away, if the prequel were to be rebooted, the Phantom Menace needs to be skipped over completely. Which lets us begin with....
Attack of the Clones:
Or some other, perhaps better sounding Star Wars name. First of all, establishing characters...
We need some better stronger characters. Comparing again the originals to the prequels, the cast of characters in the original did not change too much, unlike the prequels where there were new villains each time. I say, build up convincing villains like Count Dooku and Darth Maul, and Grievous and don't kill any of them until the third film. The only villain in the original films that died before Return of the Jedi was Grand Moff Tarkin. No loss there. If you really need to kill someone every film, fine, but introduce all your villains ahead of time. No surprises later on, no one sitting in the theater whispering, "who is that guy, and where did he come from?"
|like father, like son?|
The Anakin and Obi-wan relationship ought to be better established. Are they master and apprentice, or Jedi Knight peers, like police officer partners? The original films have already decided that they were master and apprentice, which is a completely different sort relationship than co-workers on equal footing. The reboot characters need to be developed accordingly.
In the first films, Anakin is described as a great pilot. Obi-wan tells Luke that Anakin was already "a great pilot" when they first meet. We see Anakin do some piloting in the prequels, but he isn't known in the prequels as a pilot. Anakin, the rebooted character, should be a well known fighter pilot. A Jedi commander of a Republic squadron, perhaps? I'm thinking much like a Roy Fokker character (yes, from Macross. I told you I'm a bit of a dork).
Padme Amidala is a character that never really made sense. Is she Naboo royalty? Is she an elected Senator? Why change her character between films? In the reboot, let's just make her an elected official, the junior senator to Palpatine's senior and be done with it. No fancy weirdass outfits, no decoys, no weird age difference between Anakin and Padme that leaves questions about how Anakin mysteriously grows older between films and Padme does not. She ought to be a vehicle for Palpatine to take power by using her naivete, and be the vessel for Anakin's kids and that's it. Speaking of government...
The Phantom Menace is the movie where you wonder how any sort of government can function when they allow businesses to build and use their own private armies. For example, if Microsoft built a robot android army and tried to annex the state of Oregon, the United States government would probably have something to say about it. However, this is how Lucas pitches the beginning of the Clone Wars.
The Attack of the Clones goes even further to establish this ridiculous intergalactic system of government. It is not clear what, if any, authority the Senate has over the thousands of worlds it represents. And in this movie it makes it clear that aside from the Jedi, it has no means with which to enforce law and manage disputes (read: no standing army). There is no way that armed conflict disappeared from the known universe, even our own UN has peacekeeping forces donated from member nations.
For the reboot, these issues must be addressed. Timothy Zahn wrote the first Lucas approved Star Wars fiction in 1992. The Zahn Trilogy, as it would be known, started with the Heir to the Empire, and established a few things in the Star Wars canon that had previously been hinted at, but not set in stone. The Clone Wars, according to Zahn, were a period of war that devastated the universe, as both sides had an inexhaustible supply of soldiers and weapons. Lucas liked to borrow familiar historical themes in the first films, why not this time? Where in our history was there a war of universal devastation?
People understand the fundamental issues surrounding the American Civil War, and World War 2, why not mirror one of those in the reboot? The audience shouldn't have to guess at why the galaxy is gearing up for war. It should be pretty obvious and easily understood. A section of the Republic wants to secede, why? Because they feel under represented and feel another government would treat them better. War starts because the Republic wants to keep itself together, preserve the thousand year old union, and the other government believes in slavery, or human sacrifice, or something equally disturbing and evil, and must be stopped. See? That was easy.
|Imagine they're clones, and have lasers|
In fact, according to all of the Star Wars literature, there are plenty of bad guys you could start a war with... like the Mandalorians (think an army of Boba Fetts), or the Nagai (failed Marvel comics antagonists), Yuuzhan Vong (if we plunder the literary mythos), or even the Hutts. Once again, it is a pretty big universe, you could make up a new evil, as long as Palpatine is still the most evil and takes control from the shadows. Much like the prequel, only better.
There could still be three films. The first sets up the conflict, the second brings you into the middle of the conflict, and the third nearly resolves the conflict with the Republic coming out on top, only to be toppled by Palpatine and Darth Vader when no one is paying attention. There should be no need of an animated series to bridge the films so they make sense.
There should be no obvious clues as to how Anakin falls until he falls. Pride, they say, goes before a fall. Instead of jealous love, a better turn would be Anakin's pride, pride in being a great pilot, a Jedi hero? Perhaps Obi-Wan's pride in being a superior Jedi teacher to Yoda could help with Anakin's downfall? Anything is better than some star-crossed lovers, Romeo and Juliet cliche. By the way, since when did Jedi not get married? I thought hate, fear, and anger were paths to the dark side, not friendship, love, and happy thoughts.
In short, the prequel left much to be desired. And even though it would be a miracle if Lucas actually decided to redo his prequel from scratch, I think everything would have to be rethought, rewritten, and built from nothing in order to make better movies. The only things that went well with the prequels were the way Palpatine/Darth Sidious manipulated everything to his design for domination. And the special effects. Everything else should be changed, and Lucas should give up his writing duties to an actual writer. Some of those pulp-fiction guys do write some good stories. Comic book writers know what they're doing most of the time too. A director not named George Lucas ought to direct also, with Lucas executive producing.
Perhaps these guys could do it?