Saturday, March 16, 2013

Defusing the Weapon: Context is Everything

An interesting thing happened this week, and I figured this would be a good place to post and share. Unless you either haven't been paying attention, or just don't care about social politics, you've probably heard about how conservative Republican Rob Portman from Ohio has flipped his views on marriage.

Click me, I link to a New York Times article
Portman has a son who recently came out to his parents. Knowing who his father is, and his stance on certain socially conservative platforms, this act in itself must have been difficult. However, showing his true character, Portman accepted his son, and revised his belief system. It is a little shameful that the issue had to hit so close to home for Portman to shift his platform, but he ought to be commended for revisiting an issue and reforming his opinion based on personal experience, rather than through political soundbytes, and platforms. Another GOP pal of his, Dick Cheney, sent his regards, by the way, which I also thought was interesting, as Cheney has also dealt with the political nature of marriage equality.

I saw this as reported on CNN, and of course, in order to seem fair and balanced, they interviewed Newt Gingrich on what he thought about it, and of course, he did his best to make this whole thing seem unimportant. His reason was basically, no matter what anyone's personal views were about who is allowed to marry whom, marriage will always be a religious definition, and politics wont change it. But, I'm pretty sure politics helped make this whole thing an issue to start with.

This brings me to another thing I wanted to share. I found this doo-dad on the internet today.


The Leviticus chapter and verse is often used as an argument against marriage equality, claiming that, due to this passage in the Old Testament pertaining to one of the 613 commandments of Jewish law, marriage was meant to be between a man and a woman. I won't even go into the theological implications of Christians using old Jewish law to prove dogmatic points, or the fact that there are only certain sects of Judaism that even follow most of these 613 commandments.

What I will do, is clarify this argument better. William's argument, and point is this... if man lies with another man as he does with a woman, then that man is acknowledging that men and women are equals and deserve equal treatment. Since the rest of Leviticus makes several claims that men and women are not equal, and women are subjective to men in a variety of ways, treating another man like he is a woman would not only be disrespectful in the biggest way to the man, but would also undermine all of these other commandments that establish this patriarchal system.

Things that the religious right and hard line conservative Christians say to back up policies of anti-gay sentiment often lead me to think about a pretty famous Canadian evangelical preacher. Charles Templeton left the ministry in 1957 after 20 years as a devoted and moving evangelical preacher. Templeton had been studying scripture at Princeton at the time, and denounced the faith abruptly.



Many many years later, Lee Strobel interviewed Templeton, and although Templeton had been a self imposed recluse and a staunch atheist, when asked about Jesus Christ, Templeton had this to say:

"He is the most important thing in my life... I adore him.  Everything good I know, everything decent I know, everything pure I know, I learned from Jesus".

There is more about that interview here. What I take from this, is not an example of Christianity "winning" one against atheists, but rather, an example of how the religion has moved so far from it's original intent, purpose, mission. Clearly, Templeton did not privately denounce his spirituality, but rather turned away from this religious propaganda machine that he helped make strong. Mr. Portman, like Templeton, discovered that sometimes those things we learn from Jesus: compassion, love, ethics, are far more important than politics, social agendas, and phobias. Jesus had, in effect, undermined the old Judaic system, which is something that the conservative right have been clinging to, regardless, ever since.

The best part of William's post is the last line when he states, "the bible is used as a weapon". The best way to stop this is to be educated about what the text is actually saying, and to whom it is actually speaking. What would Jesus do, indeed? God, and the people at the time had specific reasons for commandments, and it is irresponsible to not take those factors into account when attempting to use certain passages as a basis for oppression.

Monday, March 11, 2013

Actually Two White Dudes

There are a few bands that make it huge commercially, but not right away.  REM, NoFX, and Green Day come to mind.  This next band discovered that selling out isn't necessarily a bad thing, when the money is right, and it doesn't compromise your musicianship.


The Black Keys
The Big Come Up
Alive, 2002

Patrick Carney- drums, percussion, producer
Dan Auerbach - guitars, bass, vocals
Gabe Fulvimar - moog bass on selected tracks

singles:
  • Leavin Trunk/She Said, She Said


The Black Keys
Thick Freakness
Fat Possum, 2003

Dan Auerbach - guitars, bass, vocals
Patrick Carney - drums, percussion, producer

singles:
  • Set you Free/ Hard Row/ Evil
  • Hard Row/ Evil
  • Have Love, Will Travel
My brother actually discovered this band for me, and I received the first two albums together, back to back. Chuck Klosterman stated that The Big Comeup was one of 21 high quality albums to be released between 2002 and 2005.  I instantly loved the raw blues rock sound, and agreed with the idea that they were a more talented White Stripes with a better drummer.  The cover songs on these two albums are fantastic, preserving the classic songs without being total rip off copies.  The Beatles, Chuck Berry, and Junior Kimbaugh are done severe justice.


Black Keys
Rubber Factory
Fat Possum, 2004

Patrick Carney - drums, percussion, production
Dan Auerbach - guitar, bass, fiddle, lap steel, vocals

singles - 
  • 10AM Autmatic/ Stack Shot Billy/ Summertime Blues
  • Til I get my Way/ Girl is on my Mind/ Flash of Silver
I think this may be my favorite Black Keys record.  It is named after the abandoned building that they recorded it in, in Akron.  10 AM Automatic has a music video, which is well worth watching.  Also, it features a great Robert Pete Williams cover, Grown So Ugly.  They also cover an Ed Davies song.  A few tracks ended up featured in a few movie soundtracks like Black Snake Moan, Live Free or Die, and The Go Getter.  


Black Keys
Attack and Release
Nonesuch, 2008
produced by Danger Mouse

Patrick Carney - drums, percussion
Dan Auerbach - guitars, vocals, banjo, lap steel
Danger Mouse - Hohner bass, moog and korg synthesizers, piano

singles:
  • Strange Times/ Something on my Mind
  • I Got Mine/ Here I am I Always am
  • Same Old Thing
  • All You've Ever Wanted
This is the first album the Black Keys did outside of a basement, or the rubber factory, in a professional studio with a producer not named Patrick Carney.  I was pretty disappointed with this release at the time, as it is a departure from the crunchy DIY blues sound of the first few albums.  It is far more professional sounding than the other releases, which I thought took away from the charm of the band, one of the reasons I liked the band so much to start with.  Also, the fact that it was a two person band and all (most) of the sounds heard were just from two guys was pretty incredible.  But now, there were more sounds, synthed sounds, keys, backing vocals, a duet even.  This is actually not a bad record, but their other stuff prior to this was way more interesting and rocked harder.


Black Keys
Brothers
Nonesuch, 2010
produced by Danger Mouse and Mark Neill

Patrick Carney - drums, percussion
Dan Aeurbach - guitars, vocals, bass, keyboards

singles:
  • Tighten Up/ Howling for You
  • Next Girl
  • Ohio
  • Howling for You
It is about this time that the Black Keys were heard everywhere.  Car commercials used their riffs, tracks popped up in the soundtrack of television shows on a regular basis.  And then... radio play!

A little bit about what happens between this album and the last album before we go on... things I learned while reading and listening to interviews... Dan Aeurbach recorded and released a solo album Keep it Hid without telling Carney, which I bought.  Patrick Carney started playing in another band called Drummer and released an album without Auerbach (I didn't know that until now, actually).  The pair had grown apart due to Carney's rocky relationship with his wife.  But when they split up and divorced, the Black Keys got back together.  Seems the Yoko Ono situation worked itself out.

This album is the aftermath of events that could have kept the band apart indefinitely.  This album is what Attack and Release wished it was.  Breakout hit singles propelled the album to number 3 on the Billboard top 200, and the single Tighten Up spent 10 weeks at number one on the Alternative Songs chart.  The songs speak of love lost and found, brotherhood, and a reconnection with classic genres of the blues and country.  Even the album cover is an homage to Howlin Wolf.


The Black Keys
El Camino
Nonesuch, 2011
produced by Danger Mouse

Dan Auerbach - guitars, bass, vocals
Patrick Carney - drums, percussion
Brian Burton - keyboards

singles -

  • Lonely Boy/ Run Right Back
  • Gold on the Ceiling
  • Dead and Gone
  • Little Black Submarines
Danger Mouse was brought back as a producer for this record full time.  The album expands on the success of Brothers and continues to move the band further from the roots blues of their past, and closer to a more mainstream hard rock band.  They also used a keyboard player full time for the first time.  The influences of bands like Led Zeppelin, The Clash, The Ramones, and The Cars can be heard throughout the record.  Of course, the band continued to receive attention, radio play, and their music used in television, movies, and advertising.  This band will definitely be one to watch as they continue to evolve and grow.  

Monday, March 4, 2013

Pelicans: a Follow Up

Apparently, about a week after I posted about the New Orleans Hornets proposed name change, the New Orleans franchise released this press release showing their new logo and colors.

They look like this:

Nicely done, New Orleans.  Nicely done.

Also, they have an alternate logo that looks like this:




Thursday, February 28, 2013

What to do with Fruit?

Let me give you a little insight into my thought process today on the way back from doing laundry.
I was thinking about eating, which I do a lot of despite not being a stereotypical fat American.  I remembered that I have one remaining peach on my table, just hanging out, the others long eaten.  I could just eat it outright, but it's been there awhile, not rotting, but it has been ripe and ready to eat for a few days easy.  I could chop it up and make smoothies... or I could buy some ice cream and turn it into awesome.

I went to the store to buy ice cream, and possibly some soda or juice or whatever, to mix in with my fruit.  Deciding to go with a flavor theme, and not knowing what else tastes good with peaches (pretty sure root beer would be bad news) I searched for peach related items.

Ben and Jerry's makes a Peach Cobbler for Willy Nelson.  This was the fantastic realization of the day.
Also, I was lucky enough to find peach/mango/pineapple nonsense made by Ocean Spray.  To recap, my ingredients upon arriving home and pulling out my blender and everything I needed were as follows:

  • 1 ripe peach
  • 1 pint Ben and Jerry's Peach Cobbler
  • 1 small bottle Ocean Spray pineapple/peach/mango juice
  • milk
Making only enough for myself (liter clay mug), I used the top 1/4 of the pint of ice cream, 1/3 of the juice, about a cup of milk, and of course, all of the peach, sans pit.  Anyone wanting to make this themselves, probably would want to use a blender that doesn't leak or smell a bit like garlic.  I wasn't so lucky.



By the way... it was delicious.

Saturday, February 23, 2013

Where Literature and Video Games Meet

I usually don't write about video games. I'm pretty sure I said these same words the first time I wrote about music or movies on this blog too. Most games I play don't really deserve mention anywhere outside of maybe a comment about how I played it, and it was alright, or good enough to buy, or whatever. Sometimes though, sometimes there is a game that defies expectations, or flies under the radar, or is so abused by critics that it is never given a chance to be appreciated for what it truly is.

The other day, bored with my other games, I decided to play Dante's Inferno again, from the beginning, with a clean slate. For a little background... this game came out in 2010 from EA and Visceral Games. It was almost universally panned for being a rip off of popular Play Station franchise God of War. Also, there was much criticism about the decline in intensity the farther one played into the game. The most interesting parts of the game being closer to the beginning, and the more monotonous levels were closer to the finale.

This is just Limbo.  It's like level one.  
As I give this game another shot, I find myself appreciating the visual style of the game. Based on the first part of the literary masterpiece the Divine Comedy, this game follows the voyage into hell taken by Dante and Virgil. Of course, it is a video game, and there are plenty of deviations from the actual text with regards to plot, but the basic ideas, themes, and world building are essentially right out of the text.

The game is designed beautifully around the text. Each level has it's own distinct themes and visuals, with the overall theme being hell. The developers did such a good job designing hell, that I've seen screen shots used by the History Channel in documentaries about religion and cults.

City of Dis
The in-game storyline, and subsequent levels of the game take much from the text. The main character is Dante, reimagined as a crusader. Dante travels through Hell to save his love Beatrice (based on the actual Beatrice Portinari, the subject of another Dante work, La Vita Nuova) from the evil clutches of the devil.

Throughout the game, and in the proper circles in which they appear, you meet Virgil, Charon, King Minos, Cleopatra and Antony, Cerberus, Ciacco, Plutus, Filippo Argente, Phlegyas, among others. There are a few characters that don't appear, like Nessus the Centaur, and the Minotaur that guards the gates to the 7th circle. This was a little disappointing, but I do understand that not everything in a literary masterpiece can appear in a video game. Because I know a little about the actual work, this game became more interesting to me as I discovered how close the writers used the actual text to inform the storyline, characters, mythologies.

Speaking of characters, Beatrice, who is the most important character, in fact, the driving force behind the entire plot, doesn't actually appear in the Divine Comedy until Dante reaches Paradise (which is the third part of the trilogy, the Inferno is the first). The character of Beatrice in the game has been criticized as being too helpless, child-like, and naive. Apparently, we are too forward thinking to appreciate a simple damzel in distress storyline. However, as the game progresses, there is a realization that instead of Dante saving Beatrice from Satan, it is actually Beatrice who saves Dante from any of the circles of Hell where he deserves to remain. And although she does succumb to Lucifer, falling deeper into her new role as the queen of Hell, ultimately she is the one to break Lucifer's hold on her, not Dante.
Beatrice goes through some... changes
So, is this just a carbon copy of God of War? Not really. For one thing, it is a multi-platform title, meaning I didn't have to own a specific type of machine to play it. Only Play Station owners can enjoy God of War. There is more to the game with regards to collecting things to boost your abilities that isn't present in God of War and a Punish/Absolve aspect that relates to the damnation/salvation theme. Also, I have found myself playing the game repeatedly, without having to rely on online play. That can't be said of other franchise titles like Call of Duty, or Gears of War. Also, I didn't reach the end and realize it ended too quickly and I was expecting more, like Assassin's Creed, Batman, or Dishonored.

Probably rated M, by the way
I recommend for anyone who enjoys action games with some puzzle elements, fans of demonology, the occult, classic literature will enjoy the themes, visuals, and story elements.

The end of the game leaves itself open to sequels, which would make sense, as the Divine Comedy is a three part journey. It would be difficult making Purgatorio and Paradiso into an action filled fighting/puzzle game like Inferno, but seeing as how Visceral is not above tweaking and outright changing key plot points to make the game interesting and challenging I still see the other two parts as doable. However, Visceral has stated repeatedly that they will not be pursuing the other two parts of the Divine Comedy much to my dismay. I would have liked to see how they designed those realms and what story they would tell in order to make Dante need to slay more creatures.